Marc Petit VP, GM, Unreal Engine, Epic Games Rob Bredow Chief Creative Officer, Industrial Light & Magic (ILM) Steve May Chief Technology Officer / Supervising Technical Director, Pixar Animation Studios Judith Crow VP Strategic Partnerships, SideFX Creating Content Procedurally: Future Directions
Ben Morris VFX Supervisor & Creative Director, ILM London Ian Comley VFX Supervisor, ILM London Creating the ABBA Voyage Concert Experience
Kevin Baillie Production VFX Supervisor, Pinocchio (2022), Walt Disney Studios Pinocchio: Lies and Truths of Virtual Production
Kevin Baillie Production VFX Supervisor, Pinocchio (2022), Walt Disney Studios Jay Worth VFX Supervisor, Westworld, HBO Trent Claus VFX Supervisor, Lola Visual Effects Helena Packer Visual Effects Supervisor The Future of VFX
Danielle Feinberg VFX Supervisor, Turning Red, Pixar Animation Studios Filmmaking Fever Dream: Crafting "Turning Red"
Jake Morrison Overall VFX Supervisor, Thor: Love and Thunder, Marvel Studios Lighting Rigs, Spiky Shadows & an AI Baby: the VFX of Thor: Love and Thunder
Risto Jankkila Lead VFX Artist, Housemarque Sharman Jagadeesan Principal Graphics Programmer, Housemarque Realtime Visual Effects in Returnal
Dadi Einarsson VFX Supervisor, The Witcher, VES, BAFTA, Primetime Emmy winner Imagining the World of The Witcher
Heiko Burkardsmaier VFX Executive Producer, Head of Business/Legal Affairs, Accenture Song VFX Caroline Garrett Director of VFX for EMEA, Netflix Mara Froehlich Head of Production and VFX Producer, Alps Studios VFX Business: Current and Future Challenges
Hal Hickel Animation Director, Industrial Light & Magic (ILM), Oscar, BAFTA winner Puppets Versus Pixels: How Nostalgia & CG Backlash Affect Perception of VFX