From YouTube to Hollywood: the VFX of A24's Backrooms
BACKROOMS Visual Effects Supervisor Edward Douglas dives into the vast and varied work behind A24's blockbuster hit film, including building out the sci-fi liminal world beyond the already massive 30,000 square foot set, creating VHS found footage requiring high fidelity VFX, a full CG pipeline expanding on director Kane Parsons original YouTube series processes, bending the rules of reality with the surreal No-Clipping effects and Still Lifes, as well as what it's like to work with a first-time feature director who's a VFX artist themself.
