After completing studies at art school, Jessica beganher VFX career at MPC in 1998. She started work in a technical position and then in 2000 moved into feature film Compositing, working on Lara Croft: Tomb Raider and Harry Potter and the Harry Potter and the Sorcerer’s Stone. Between 2000 and 2003 Jessica worked on a number of high profile movies including Lead Compositor on Harry Potter and the Chamber of Secrets, Lead Compositor on AVP: Alien vs. Predator and Compositing Supervisor on Elizabeth: The Golden Age.

Jessica’s artistic talent and technical capabilities have made her an invaluable asset to the team and one of MPC’s youngest artists to be promoted to the role of VFX Supervisor. Since 2003 Jessica has supervised teams on blockbuster movies including Tim Burton’s Corpse Bride, Alex Rider: Operation Stormbreaker, Watchmen and Night at the Museum: Battle of the Smithsonian as well as working as DFX Supervisor on Ridley Scott’s Robin Hood and 2D Supervisor on Harry Potter and The Deathly Hallows: Part 2.

In 2013 Jessica led MPC’s teams on the VFX for Marc Forster’s Zombie apocalypse World War Z, creating the unforgettable Zombie pyramids and digital environments of the Jerusalem sequences. After, Jessica worked as MPC VFX Supervisor on Ridley Scott’s biblical epic Exodus: Gods and Kings, leading the team on over 500 VFX shots.

More recently Jessica worked as MPC London’s VFX Supervisor for the Fantastic Four reboot and for Juan Antonio Bayona’s A Monster Calls.

In 2017, Jessica led the team as VFX Supervisor for Patty Jenkins’ Wonder Woman and will next act as Compositing Supervisor for The Lion King.