talk

Brad Bird

Writer & Director, Ray Gunn

Benvenuti nel Futuro: una Conversazione con Brad Bird su Ray Gunn

Sir Roger Deakins

Academy Award Winning Cinematographer

James Ellis Deakins

Creative Work Partner of Roger Deakins

Jamie Lang

Editor-in-Chief, Cartoon Brew

Riflessioni sulla Cinematografia

Sir Roger Deakins and James Ellis Deakins in Conversation at VIEW Conference 2026 in Person

Kenna Harris

Co-Director & Co-Writer, Toy Story 5, Pixar Animation Studios

Toy Story 5 Dietro le Quinte

Daniel Chong

Regista, Pixar Animation Studios

Nicole Paradis Grindle

Produttrice, Pixar Animation Studios

Hoppers

Tyree Dillihay

Director, GOAT, Sony Pictures Animation

GOAT

Merlin Crossingham

Director, Aardman Animations

Dirigere un lungometraggio in stop-motion: dare forma alla visione d'insieme e curare ogni singolo dettaglio

Jerome Chen

Overall VFX Supervisor, Spider-Man: Brand New Day, Marvel Studios

Spider-Man: Brand New Day

Patrick Harboun

VFX Supervisor, DNEG Animation

Espressione Artistica di Carattere: L’Animazione del film The Angry Birds 3

Yvett Merino

Producer, HEXED, Disney Animation Studios

HEXED

Andrew Jackson

Overall VFX Supervisor, Oppenheimer, DNEG VFX

Ian Failes

Editor, befores & afters

Dietro le quinte degli effetti visivi di The Odyssey di Christopher Nolan

Pre-Recorded Session Streamed on Site

Steve Emerson

Production VFX Supervisor, LAIKA

Wildwood

Robert Valley

Director, Animator, Character Designer

Il Puzzle: Lavoro Personale o Lavoro commerciale

Italian premiere screening of "The Trouble with Peter"

Paul Lambert

Supervisore agli effetti visivi

Mag Sarnowska

VFX Co-Supervisor, Project Hail Mary

Gli Effetti Speciali di Project Hail Mary

Hal Hickel

Animation Supervisor, ILM. Academy Award & Bafta winner

Il Fantastico Reso Reale: Animare Creature e Personaggi per il Mondo Live-Action

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